The Georgia Mass Band Creates Pipelines For HBCU Culture

“People can’t get enough of it and it’s a beautiful thing,” Kris added. “We started with 15 people—our friends—because they wanted to play over the summer.”

Now nearly a decade later, the Georgia Mass Band (GAMB) has become a respected blueprint for how community, sound, and structure can meet to serve the next generation.

Filling the Summer Gap

While many traditional school band programs break for summer, GAMB stays active, giving students continued structure and performance opportunities. 

“As a high school director, this is a huge role because it’s a way for them to connect at jamborees and other experiences,” Buggs said.

That structure is more than music. Inside GAMB rehearsals, students manage their own prep—utilizing digital sheet music, coordinating with section leaders, and adjusting arrangements in real time. The learning is collaborative, modern, and deeply intentional.

“We don’t have the same stipulations similar to a school or game protocols,” Kris explained. “GAMB music is broader—more access to a variety of arrangements.”

Built on HBCU band culture, GAMB carries forward the energy, sound, and pageantry many students hope to experience in college—but with a twist. 

“Atmosphere. Fun experience. You can’t normally get this action-packed sound outside of an HBCU,” Kris said.

Buggs summed it up in four words: “Sound. Cleanliness. Execution. Diversity.” But, it’s not just what they play—it’s who sees them. 

“It gives the students something to do,” Kris added. “There isn’t a shortage in having something to do when you’re young and your mind is still moldable.”

For students who didn’t grow up seeing Black musicians at the forefront of large-scale productions, GAMB offers more than representation—it offers possibility.

“Being a high school band director as well—it’s really big to see someone who started off only joining band because their friends were in it… now they say they want to major in music and be a band director because of GAMB,” said Marcus.

Visual Excellence: The Sophisticated Jewels

If the sound of Georgia Mass Band moves you, The Sophisticated Jewels make sure you feel it. The dynamic dance ensemble brings more than just style to the field—they deliver stamina and serious technical skill.

Led by a team of four coaches—including head coach Shontavia D. James and assistant coach Travaris Cooper—the Sophisticated Jewels are more than just a dance team. They’re a statement of class, technical precision, and cultural power.

Cooper, who began dancing with GAMB in 2019 before moving into his coaching role, explained the evolution firsthand: 

“Back when I was dancing, we weren’t doing all the stuff they doing—like flipping out of chairs, backflipping into splits. It was just 1-2-3-4,” he said. “Now it’s all kinds of scenarios and methods. I’d rather sit on the side and bring the vision to life than actually be the vision.”

When asked what energy they bring to GAMB, Cooper explains that the vision is rooted in versatility.

“It depends on the performance,” Cooper shared. “For ‘Meet the Georgia Mass Band,’ it’s sexy and classy—fluidity. These are grown women and grown men. But when we’re battling, it’s aggressive. It’s intense. It’s sassy. It’s organized chaos.”

The team’s members are adults, many of whom are HBCU-trained dancers from across the SWAC.

 “We have girls from Alcorn, Jackson State, Alabama State, Bethune-Cookman, Fort Valley, Texas Southern,” Cooper said. “We bring all of these dynamic styles together to make one. That’s what makes us special.”

Beyond the style and stamina, there’s an elite technical foundation required to even audition.

 “If you don’t have these techniques, we can’t use you,” he stated bluntly. “We’re talking ballet fundamentals—pirouettes, calypsos, leaps in first and second. That’s the base of this holy grail type of thing.”

Their uniforms—sleek leotards, two-piece sets, and standout accessories—are a result of collaborative creativity. 

“We look at the stuff Beyoncé wears on her tours. We might take a top from one look and a bottom from another and piece it together,” said Cooper. “All four of us throw in ideas, and we bring it to life.”

But what truly sets the Jewels apart is the bond and structure.

 “These are adults,” Cooper emphasized. “They’ve worked all day, then come to dance from 6:30 to 9. We hold each other accountable. We’ve built lifelong relationships here.”

He described the team’s behind-the-scenes content series, “The Real Dancers of Summer Band,” as a way to share the grit and glamour. But for him, the most powerful moment this season came during their very first show: 

“‘Meet the Georgia Mass Band’ was our first performance. People were nervous, but I had faith. Everything I had been yelling about since April—it finally clicked.”

That opening performance didn’t just validate months of hard work—it set the tone for everything to follow. As the season unfolds, The Sophisticated Jewels continue to raise the bar, embodying discipline, elegance, and unapologetic Black excellence with every count. 

For Cooper, it’s more than choreography—it’s legacy-building. 

“We don’t just perform—we represent something bigger,” he said. “And when it all comes together, you can feel it.” 

Access That Changes Lives

Every February, GAMB hosts a music-focused college fair that connects Metro Atlanta students with HBCU band directors—many of whom offer scholarships on the spot.

“Every February, we host an annual college fair to bring HBCU band directors for students to audition for free to gain scholarships,” Kris said.

For Kris, the mission is personal.

“I had to drive 6 hours to Jackson to audition—so I wish I had something like this,” he shared.

The feedback from families has been consistent: gratitude. Students who may not have the means to travel for auditions now have the opportunity to showcase their talents in their own city. What once felt distant—college, scholarships, musical careers—suddenly becomes tangible.